by Brian Holcomb
"New Wave" Horror anthology is way too long, tiring and for some-nausea inducing-to watch on the big screen. Forget all the complaints of The Blair Witch Project being too shaky to handle, this film assaults the senses like Clockwork Orange's Ludovico Treatment.
The Filmmakers should've been made to consult one another regarding their content-one more segment with a group of A-HOLES carrying on like the cast of JACKASS and my head may have exploded. It isn't surprising that the two best segments feature characters who are at least vaguely likable. Ti West's segment "Second Honeymoon" is most effective in this regard. West merely knods to the "found footage" concept while making sure that his story is as effectively told as a more conventionally shot movie. It works both because and despite the fact it is supposed to be someone's home video. It also contains the single most frightening and tense moment in the entire 2 hours of horror movie sound and fury-a scene that is also as quiet as a whisper.
Five stories and a wraparound is the classic anthology structure but so much is repetitive here due to the "found footage" concept. There are only so many ways to toss a camera into the action and keep it running plausibly. As it stands- I would rate them like this-Ti West's is the best, followed by Radio Silence and Joe Swanberg's in a statistical tie. The other two could've really just been erased.
KINETOFILM SCORE: 2.5/5