Commentary on Movies and TV by Brian Holcomb
Showing posts with label Pop Culture. Show all posts
Showing posts with label Pop Culture. Show all posts

Monday, March 16, 2009

STANLEY KUBRICK'S XANADU

Last night the Sundance Channel ran the fascinating documentary by Jon Ronson, Stanley Kubrick's Boxes which was a fine, though far too brief, look at the many thousands of boxes Mr. K kept in storage at his home in England. These boxes contained vast amounts of material, all carefully catalogued and organized, pertaining to all facets of the man's career and life.

It's strange that this private man of whom so much gossip ranged regarding his lunacy and hermitage can be seen so nakedly through his calculated filing. The image one gets is not one of a man OBSESSED but of a man of great intellectual curiosity and method. An obsessed man would merely seem eccentric and quirky in his desire to control the world around him. Kubrick went round that bend and into something far closer to a scientist of the physical universe. This was a man who questioned everything from the font on a movie poster, to the size of his newspaper ads, to the kind of ink best used for writing and the construction of these archive boxes themselves. It appears Mr. K was frustrated with the way the tops of the boxes worked and was intent on finding a design that would allow the lids to sit securely but loose enough to slide off easily. It's most telling that the company constructing the boxes left a random note regarding the box construction that supposedly read, "Fussy customer".

Kubrick didn't think wanting things to work the right way to be fussy and this is the same attention to detail that went into all of his films and which makes them so very unique to this day. He believed that either you care or you don't, there's no in between. That kind of pride and dedication to one's work is something I must say I admire greatly.

I thought that Ronson made a fascinating film, particularly when he played detective and hunted down some of the people who sent Kubrick letters which the director filed as "crank" letters.

If you missed it, here it is:



Or you can find the entire thing on google video:
HERE

Saturday, December 01, 2007

BETTER. STRONGER.FASTER



Almost every show today is some kind of serial story. Lost, Heroes, and even the new Bionic Woman(Read my review for Slant.com HERE)are all long form stories with endless subplots and intrigue. These shows are impossible to describe without going into incredible detail..."See, there's this corporation on this Island which may or may not be conducting an experiment on human beings...".

When I was growing up, TV was a lot simpler. Most shows just involved their characters in a new adventure each week without any plot strands left dangling episode to episode. It was in the 80s with shows like Hill Street Blues, St. Elsewhere and even Cheers that long form plot arcs took hold so that the serial format could be wrapped around the standard episodic structure. It was a way to addict fans of the show to longer story arcs like the Sam and Diane love story while also allowing for new viewers unfamiliar with the backstory to still watch a standalone situation.

The change is even noticeable in the credits sequences from the 70s. Above is one of my favorites, The Six Million Dollar Man. Basically, everything you need to know about the show is told to you in 1 minute 25 seconds. After watching this, anyone could sit down and enjoy Steve Austin's adventures as the Bionic man without having ever watched the show before.

By the way, did you know that the very familiar Six Million Dollar music theme wasn't the first one used for the series? Universal-TV produced two one-off TV movies starring Lee Majors as astronaut Steve Austin using this as the title theme complete with LYRICS sung by none other than Dusty Springfield! "HE'S THE MAN!"